And Eve was Weak (Broadway Musical/C/Carrie)
"All in all, this is a very good MIDI; very emotional. Your use of strings adds a perfect melencholic feel to it. That said, your overuse of 'Orchestra Hits' detract from the MIDI a little. If it weren't for them, I would definately have given this a 9, or even a 10. "
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Trivium 2006-01-23
Defying Gravity (Broadway Musical/W/Wicked)
"Well, I'll say that you have a great ability to do this, but I do have suggestions. I'll admit that I'm a little confused as the role of the piano part, is it an orchestral instrument or the vocal line? It seems to b both. Which really clouds up the instrumentation. Perhaps try to separate the main ..."
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Ted Flint 2006-03-17
When You Got It, Flaunt It (Broadway Musical/P/Producers, The)
"...I think that this midi was the best. I especially loved the little 'Now Ulla Dance!' parts. Definately one of the greatest. Super job!"
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Ulla 2006-01-22
On the Balcony of the Casa Rosada / Don't Cry for Me Argentina (Broadway Musical/E/Evita)
"As you can see Subject bar, I looooove this midi!!! One suggestion: Blow off the beginning, with the Peron Peron Peron Peron... part. It sort of cuts away at time."
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TheatreGeek1693 2005-05-06
Defying Gravity (Broadway Musical/W/Wicked)
"Hey, great job! Your attention to orchestration is astounding. Was this done purely by aural dictation or were you aided by a score of some sort? Only critism, maybe you should reconsider the instrument used for the vocal line. The instrument used is really unflattering to what is otherwise a detail..."
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Ted Flint 2006-03-17
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